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Bratislava » Vienna - 19.11.2018

06:38

09:38

15:38

18:38

Ongoing exhibitions

16. 5. - 30. 11.

Exhibition / Connections

International exhibition, curated by Curatorial Studies Institiute.   artists : Dano Dida, Alena Foustková, Oto Hudec, Deana Kolenčíková, Daniela Krajčová, Kundy Crew, Otis Laubert, Stano Masár, migrantas.org, David Reitšpís, Magda Stanová, Ivana Šáteková, Tomáš Vaněk   kurátor / curator : Juraj Čarný produkcia / production: Dano Dida produkcia vernisáže / opening + party production: Martina Ivičič grafický dizajn / graphic design: Stano Masár PR: Mirka Ábelová   Exhibition will take a place at the train operating regulary between Vienna and Bratislava. Train time table please find here: https://tram.to/en/train-timetable/ You can use regular ÖBB/ZSSK train tickets for your ride.   TRAM Garden Party will take a place in the park at the train station Devinska Nova Ves. more about artworks When entering the train, you will see pictures of ring bells from residential houses around Vienna and Bratislava. In her works, Alena Foustková deals with the issues of foreigners and refugees, and in her current project she works with an idea, whom you would wish/refuse to be your neighbour. Tomáš Vaněk placed multiple (sprayed) security cameras into the train, which shall ensure the safety of passengers and also of the exhibition. He “integrated” also couple of sockets in the train spaces. Otis Laubert decided to make your journey even more enjoyable by offering an original menu in a fictitious dining car. At the openings, the TRAM train will have also sleeping car for few times through year. Stano Masár shows his series of golden pictograms. In the train, you will find 10 most expensive artworks in the history, for example by Paul Gaugin, Vincent van Gogh, Pablo Picasso, Paule Cézanne or Gustav Klimt. On the seats, there can be found his poetic reservation system for time travellers, mythical heroes, dreams and ideas. He prepared train tickets in the reservation folders, by which he invites you for a poetic walk from Vienna or Bratislava via station Poetry to station Clouds, via Silence to Dreams, via Meditation to Happiness, but also via Hoax to terminal station Totality. In the reservation folders, you can find also stickers by the Kundy Crew ,an activists’ group. Their motif is based on an embroidery with text “I am not racist butt”. Feel free to take both train ticket and a sticker as souvenirs. Argentinian-German group, migrantas.org exhibits a series of yellow pictograms, which deliberately reflect on the issues of immigration and refugee crisis. One of the yellow pictograms was prepared also as a postcard, which you can take home. Social architect, Daniela Krajčová, focuses on the caregivers, regularly travelling to their place of jobs in Austria. Text excerpts of the dialogues are connected with fictitious portrayals and drawings of significant Viennese landmarks combined with objects, which the caregivers use in their remarkable job every day. Oto Hudec invited a group of children from notorious borough Luník IX in the city of Košice for an impressive 3-day trip to Vienna, which shall provide an outcome, a guide prepared by Roma children themselves. Ivana Šáteková placed a stamp into the train. When you find it, you can create an original of her design critically commenting on Slovak folklore. Within his participative installation, Dano Dida allows you to play with history of central European region – you can divide and reunite Austria-Hungary and Czechoslovakia. Magda Stanová commented on her own unusual experiences as a traveller in her drawings on the train tables. You can join her on the journey to Venetia, Zurich, Lugano, to Devín, and also New York. Deana Kolenčíková introduces her project, which was originally admitted for the Train Cover Project,
the redesigning project for the TRAM art train. Even though, in the finals Marta Kopyt, the Polish author,
was the winner, Deana came just after her. Today, she exhibits the installation of a German-Slovak dictionary, which can be found on numerous spots in the train. David Reitšpís created a series of pictograms for stops of the original historical Viennese tram, which has been connecting Vienna and Bratislava from 1914 a which inspired creation of the TRAM project.

19. 2. - 30. 11.

Flip books on tour!

The passengers of the train route Vienna / Bratislava will be offered a special art experience. 12 artists from Austria, Slovakia and other countries have taken up the flip book. These small-format books show small sequences of pictures of traveling, arriving and driving on. Pictorial stories that come to life with a quick thumb. It has its special attraction, during the train ride to operate the flip book, speed and rhythm of the individual sequences are to determine themselves. The small films stimulate the imagination and seduce the viewers and viewers to continue their "own head cinema”. Umelci / Künstler / Artists : Martin Bruner aka „Sombreo“, Bettina Egger (A) , Wolfgang Matzl (A) , Edith Stauber (A), Herbert Stöger (A) + Alina Staicu (RO), Eggy und Jacky A), Daniela Krajcova (SK), Thomas Kriebaum und Sohn (A), Sibylle Vogel (A), Igor Przybylski (PL), Lote Vilma Vītiņa (LV), Kurátor / Kurator /Curator/ : Gottfried Gusenbauer (A)

20. 6. - 30. 11.

Soft norm + Social Design

Collaboration of SOFT NORM platform (Academy of fine Arts,Martin Piaček, Bratislava, SK) and Social Design Studio - Arts as Urban Intervention (Universität für angewandte Kunst Wien, Brigitte Felderer, AT) The TRAM project both metaphorically and physically connecting Vienna and Bratislava presents students´ exhibition from two art academies – University of applied arts Vienna and Academy of fine arts and design in Bratislava. Results of university semester cooperation will be presented by students of Brigitte Felderer class – Social Deign Arts as Urban Intervention and Martin Piaček – Soft Norm platform. Project Wagon Wide Web by Magdalena Hubauer, Lukas Weithas and Anne Zühlke collects commuters’ experiences of travelling between the two countries respectively neighbouring capitals, Bratislava and Vienna. Along a digital and participative artwork this important knowledge becomes accessible. project is online here Project Wagon Wide Web by Magdalena Hubauer, Lukas Weithas and Anne Zühlke collects commuters’ experiences of travelling between the two countries respectively neighbouring capitals, Bratislava and Vienna. Along a digital and participative artwork this important knowledge becomes accessible. Who are the regular travellers? What causes their frequent crossing of national borders? The Wagon Wide Web installs a virtual train wagon in the real compartments. A digital platform allows a bird’s-eye view on the wagon with its 44 seats and the attached bicycle storage area. Passengers can localize themselves, track or continue the histories of their seat by commenting on provided audio features or by sharing their own content in the form of voice messages, texts or photos. Stories of commuters can be heard, seen and shared. The result is a travel log, constantly growing and changing, a moving memory which can be evaluated after the project. From July until November, the Wagon Wide Web will be accessible for travellers. Code and design for the digital platform Wagon Wide Web by Helen Stefanie Schneider. + Not only love comes through stomach! Pulsating tunnels of digestive tracts put into motion individuals, societies, ecosystems and global climate. We usually see food as something delicious or disgusting. However, nowadays for many the first course of meal consists of taking a picture of their food and sharing it on social networks. How the food looks like is becoming more and more important. Nevertheless, we believe that offering other possible perspectives on food is also important. What about the impact, food has on our health? Where do the ingredients and recipes come from? Who is preparing the food for us? Do these people have a proper wage? What social status has the person preparing food? What is the impact of what we eat onto transformation of global society and planet? Transdelicious is a collaborative project of Gabriela Halás, Sebastian Komáček, Stanislav Krajči, Juraj Mydla and Martin Piaček. It consists of images of food, which sounds for us as exotic cuisine. Commuters travelling to their jobs on the BA-WIE, WIE-BA routes are therefore confronted with the prospect of better life of migrants coming to our region. Many migrants capitalize on cooking traditional food from their homeland. Food images are completed by hashtags from the Instagram platform, as its poetry develops the theme even further. SOFT NORM*: From historical consciousness to civil awareness in visual art is hybrid art course for visual art students. It focuses at civic identity development with the help of historiography, art history, art theory and related social and political lectures. Additionaly the course introduces art practises that are effected by historical and social sciences. The course ends with a practical session of artistic research of the participants. The course is built to evoke civic activism and the use of new artistic and activist practices. This is hoped to reach by introducing transdisciplinarity, where guest lecturers give theoretical lectures with specialized methodology, accompanied with practical course of the lecturer. Additional sessions will help to enable to connect theory and praxis. Students are encouraged to create their own defintion of activism and to experiment with variousapproaches (from radical to mild ones). Guest lecturers assure the input of actual discourse and interdisciplinarity above the frame of fixed educational plan of AFAD Bratislava. Social Design-Arts as Urban Innovation department is organized around projects of collective work in which we synergize each others experiences, knowledge and networks in order to deal and think in relation to the challenging contexts of urban density and societal change. Our projects might not easily be described as works of art, this is why we often opt to speak of artistic labour facing societal conditions by joint actions and mutual planning. The methodology of our work is characterized by open structures, interdisciplinary innovations, collective struggles, practical courage as well as theoretical risks and last but not least a lot of patience with and in the process. Our cultural and social backgrounds are productively diverse, the contents of knowledge differing and complementing and therefore promoting real projects in the free framework of a university programme. As social designers we commute between different roles – we are helpers, facilitators and actors just waiting to step in. Individual commitment, the ability to generate unexpected approaches, empathic thinking and a willingness to act without hesitation are doubtless personal requirements for students wishing to enrol in this master programme. In the Social Design Studio solidarity is regarded as a socio-political category requiring out-of-the box responses. The goal is to provoke rethinking and the generating of new ideas that can lead to societal change. All projects and collaborations show a declared interest in exercising an active and critical influence on society. In short and always: We refuse to forego the future!

25. 9. - 16. 1.

Nicole Six / Paul Petritsch

Haus der Geschichte Österreich & TRAM would like to invite you to the opening of the exhibition Lost and found Nicole Six / Paul Petritsch curators: Monika Sommer, Juraj Čarný opening: September 25, 10-12 am Wien Westbahnhof Have you ever had something, an object, which meant so much to you that you could never give it away? Was it so important to you that it should be hidden in a vault, or included in the collections of your own museum? Were you unlucky enough to lose it, leave it behind somewhere, or was it stolen from you? If yes, you have come to the right place. If not, you have come to the right place as well. Welcome to the Lost and Found - exhibition, realized by Nicole Six & Paul Petritsch for the art train TRAM. The artists known for their sensitive approach to their surroundings, working in the fields of site-specific and context-sensitive installations. In Vienna, a new museum Haus der Geschichte Österreich will open in November. It is a place where some significant objects from our past can be found. If you do not happen to find them, you will still have a chance in the lost and found department. Nicole Six & Paul Petritsch exhibit objects, which were lost and found on trains and at stations, and put them into an unobtrusive “confrontation” with objects from the museum collections. On one hand, there is an object, which somebody lost and may never find the meaning of his life, on the other hand, there is an object which is protected by law and locked up in the depositories at the museum in Vienna Hofburg. An object, which lost its owner and its story vs. a museum item with a documented history. Erased memory vs. a memorial of age, region and human life. So, what have you left behind on the train today? Juraj Čarný

12. 10. - 30. 6.

DepArt: Otis Laubert a Stano Masár

DepArt: Otis Laubert a Stano Masár Eisenbahnmuseum Schwechat, Hintere Bahngasse 2b, 2320 Schwechat, Austria DepArt is a new long term exhibition cycle connecting historical of Eisenbahnmuseum in Schwechat with leading contemporary artists from Austria and Slovakia. Our mission is to create new type of a museum exposition connecting historical objects with contemporary art. Site specific and participatory installations will be focused on a reflection of historical topics and its relations with contemporary society. Otis Laubert will create site-specific installation for a post-car, locomotive and rails, Stano Masár will show manipulated platform announcement object. Project was initiated in a cooperation of Eisenbahnmuseum & Curatorial Studies Institute in a framework of the project TRAM gallery & cultural centre in the train operating between Hauptbahnhof Wien and Hlavna stanica Bratislava. download gallery guide